◎导演◎ 朱塞佩·德·桑蒂斯 Giuseppe De Santis
◎编剧◎ 朱塞佩·德·桑蒂斯 Giuseppe De Santis/Corrado Alvaro/Basilio Franchina/埃里奥·贝多利 Elio Petri/Gianni Puccini/Rodolfo Sonego/塞萨·柴伐蒂尼 Cesare Zavattini
◎主演◎ 伊娃瓦尼切克 Eva Vanicek / 卡拉 · 德尔波娇 Carla Del Poggio / 马西莫·吉洛提 Massimo Girotti / 露西娅·波塞 Lucia Bosé / 雷夫·瓦朗 Raf Vallone / Elena Varzi / Lea Padovani / Delia Scala / Irène Galter / 保罗·斯陶帕 Paolo Stoppa / Maria Grazia Francia / Naudio Di Claudio / 阿曼多·弗兰西欧利 Armando Francioli / 保拉·布鲁布尼 Paola Borboni / Romolo Bartolomeo
罗马11时的剧情介绍,意大利新现实主义的代表作,但因其反应现实的力度致使当时的意大利政府采取了全面封杀的态度,结果使这部片子的知名度大幅度降低,但本片无论从表现手法,还是演员表演,到对社会,人性的刻画揭露,无不表现出深厚的功力和艺术水准,其成就足以使它超越《偷自行车的人》成为新现实主义的巅峰之作
Based on an actual incident, this is the story of five girls (told in a slow beginning) who are among the 200 women who answer a want ad for a modest secretarial position one rainy morning in Rome in 1951. They crowd and push their way into the old building and fight their way up the stairs to await an interview, only to be told there is not enough time to interview all. A scuffle breaks out and the stairway collapses sending many of them hurtling down in a mass of bodies amid brick and mortar. Among them are the well-born wife of a poor artist;, a streetwalker making an attempt to change her life; an unhappy servant girl; and the desperate wife of an unemployed factory worker. How the event changes or fails to change their lives is told.
长镜头下意大利社会的缩影 ————简析《罗马十一时》中的长镜头。观影笔记:意大利新现实主义巅峰绝作。《罗马11时》电影剧本。德•桑蒂斯作品《罗马11点钟》观后座谈会纪要。导演说。黑色喜剧的狰狞与荒诞/长镜头的力量<戴锦华>。短评。人物群像,女性情谊,与萧条时代的底层希望。。现实主义在展现现实时,无意间展示出了美好的人性。罗马11时:正确的只有画面。