敬畏的剧情介绍,影片由奥斯卡最佳影片《艺术家》的导演米歇尔·哈扎纳维希乌斯执导,聚焦上世纪六七十年代的法国影坛,要讲述戈达尔和女作家/演员安妮·维亚泽姆斯基之间真实的爱情故事,由路易斯·加瑞尔出演五月风暴时期的戈达尔。
Paris, 1967. Jean-Luc Godard, the maker of "A bout de souffle", "Le Mépris" and "Pierrot le fou", idolized by critics and intellectuals, is shifting from revolutionizing cinema to becoming a revolutionary tout court. Isn't he shooting "La Chinoise", more a political tract in favor of Maoism than an actual movie? His female star is Anne Wiazemsky, writer François Mauriac's granddaughter, sixteen years his junior. Anne and Jean-Luc have been dating since 1966 and they marry this very year. She admires Jean-Luc's originality, intelligence, wit and boldness while he loves Anne's freshness and - admiration of him. But May 1968 puts their marriage to the test. Godard, who is more and more involved in the revolution, indeed becomes less and less available to his young wife, which does not prevent him from acting jealous. It also looks as if the genius is losing his sense of humor.
《敬畏》想要打倒电影之神,却没黑到点子上。电影还是政治?——五月风暴中的戈达尔。《敬畏》:资产阶级电影艺术家的革命春梦。西方青年对“红宝书”的一场大型误读。安妮眼中的戈达尔。用电影杀死“戈达尔”!这太“让-吕克”了!。高达的命怎么就不能革了?。谈不上致敬,只是让你更了解戈达尔。电影、还是政治,谁是戈达尔的谬斯?。一部严肃但非典型的致敬电影。
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創作者當然可以「笑」當時的Godard,連他在80年代尾也要來一次重構自身,但抽空了各種問題,難道Godard 只是一個和戀愛、生活過不去,陷入中年危機的藝術家嗎?(這就是回到平凡人的方法?),正如我不明白電影為何要「戲仿」他的電影裡各種片段,一個以「主流」製作成功的電影導演,真的能去拍Godard嗎
人有轻蔑你有敬畏。基本就是个恶搞喜剧,导演在迷影复古以及喜剧方面的才能尽情发挥,一方面完全复原戈达尔作品的形式,美术、剪辑,间离……另一方面则是尽可能的恶搞和吐槽,比较嗨
非常轻浮、浅薄、符号化,装B之作,摄影布景演员美则美矣,毫无灵魂。
黑的漂亮,仿的漂亮,Stacy Martin更漂亮。你问我资辞不资辞,批判1968我怎么能不资辞?(导演Q&A说戈达尔艺术上天才政治上he sucks简直太对了,Stacy Martin真人比银幕上还漂亮!
带领的人和跟随的人都洋洋得意;创造的人和重复的人都满心欢喜。