马勒传的剧情介绍,马勒(罗伯特·鲍威尔 Robert Powell 饰)出生在一个家风非常严苛的标准犹太教家庭之中,从很小的时候起,他就展现出了对于音乐的热情和天赋,在以音乐为目标不断的努力和深造之后,马勒终于如愿以偿的成为了知名的作曲家,并且迎娶了名为阿尔玛(乔治娜·黑尔 Georgina Hale 饰)的女子为妻,可谓是一举获得了事业和家庭的双重圆满。 <br /> 然而,一位英俊的军人的到来令马勒和妻子之间的感情产生了裂痕。马勒因为声名远扬,所以作曲工作接连不断,埋首于五线谱之间的他自然而然冷落了阿尔玛,这亦导致了妻子对于他的感情日益淡薄。妻子的冷漠让马勒感到十分的焦虑,甚至患上了恐惧症。
Both trifles and structure are tossed out the door by director Ken Russell in this film. Here, historical content matters not so much as metaphors, feelings, emotions, and interpretations, and pay close attention, as every word and frame is intended to be important. The film takes place on a single train ride, in which the sickly composer Gustav Mahler and his wife, Alma, confront the reasons behind their faltered marriage and dying love. Each word seems to evoke memories of past, and so the audience witnesses events of Mahler's life that explain somewhat his present state. Included are his turbulent and dysfunctional family life as a child, his discovery of solace in the "natural" world, his brother's suicide, his [unwanted] conversion from Judiasm to Catholicism, his rocky marriage and the death of their young child. The movie weaves in and out of dreams, flashbacks, thoughts and reality as Russell poetically describes the man behind the music.
并非是人人皆宜的马勒。Tragedy。
最爱的还是马勒的音乐。。片子用简单的事件,串起了无数痛苦的记忆碎片。。那些碎片就是马勒音乐的MV。。马勒是个从第一交响曲就开始探讨死亡的,带着痛苦的才华的天才。。他的音乐永远都那么沉重,那么撞击在心灵最深处。。
有必要把肯罗素全撸一遍
前前后后两个多礼拜才看完……很多片段反反复复看了许多遍……实在是太喜欢了……很多对马勒的理解跟我想要的实在是太契合了。同时也让我对他又有了新的认识,很多之前似懂非懂的地方突然一下又自洽了。这不仅仅是一部传记而已。
雖然自問對於馬勒的音樂算是很喜歡,但如果說到了解還是差很遠,對於電影某些充滿荒𧩙和帶點詭異的段落,在視覺上我覺得還可以接受,當然我明白當中含有很多對馬勒生活上的隱喻,但這種表達方式與馬勒的音樂有點沾不上邊,玩納粹,SM,還有惡搞喪禮,有開孔看見樣貌的棺材等等,也看見導演異想天開的瘋狂想像力--傳記,隱喻,離間。
神作!回头找来能用的字幕一定要再看几遍!似乎可以加个“古斯塔夫与艾尔玛夫妇的(通向死亡的)妄想列车2时间”...艾尔玛的丧服play耻度略大,圣柯西玛对古斯塔夫的调教play也很亮【喂...临近结尾处两口子在马六1乐章伴奏中拥吻的片段还真让人有飙泪的冲动...