龙马传的剧情介绍,NHK第49部大河剧。 <br /> 以三菱財閥創業者岩崎弥太郎的視点出发,描写了坂本龍馬的一生。
1880's Meiji Japan. It is almost twenty years since the end of the Samurai Era in Japan, one time Tosa Clansman, successful business industrialist, mogul, & founder of Mitsubishi Corporation Iwasaki Yataro (played by Teruyuki Kagawa) is approached by a reporter to recount what he knew of the life of the Tosa Clansman, visionary reformer, & architect of Modern Japan, Sakamoto Ryoma (played by Masaharu Fukuyama). Almost instantly Iwasaki is incensed and overcome by rage & jealousy for throughout his life he had lived in the shadow of his famous beloved clansman. Upon reason, Iwasaki agrees to conduct the interview on the grounds that his recollection would not serve to glorify the memory of Sakamato Ryoma. His memories are painful and numerous which becomes the basis of this 2010 49th NHK Taiga Drama that will go back to the Pre-Bakumatsu period where Iwasaki first encounters a lanky young Kashii named Sakamoto Ryoma - a member of the Lower Caste Samurai of Tosa so named because they were once the rulers of Tosa but fought on the losing side of the Battle of Sekigahara by which the victor Tokugawa Ieyasu punished the Samurai of Tosa to elevating those who sided with him to Joshii (Upper Samurai) and those who lost to Kashii Samurai who must endure the cruel taunts and indignity at the hands of the Joshii. But for Iwasaki his status is even lower for his family had sold their Samurai status to pay off debts. From the moment they met Iwasaki envied the likeable Sakamoto and would grow to ever resent him and his long ascension to success and as a Reformer who through the mentor-ship of Katsu Kaishu (played by Tetsuya Takeda)- a man Ryoma was sent to assassinate but instead became his disciple. Now threatened by the arrival of the American Black Ships, Kaishu would instill upon Ryoma a grander world view that would shape Ryoma to go on to help unify the rival Choshu & Satsuma clans to form an alliance and lay out the plans for a modern post Shogunate Japan. In recounting the story Iwasaki must confront his own deep personal feelings bitterness and spiteful envy to a man who despite Iwasaki's massive wealth in the Post Samurai New Meiji Era is still haunted by a man who long been assassinated and was still beloved by the people of Japan.
关于历史观。《龙马传》:历史可以这样杜撰(一)。三部大河,风格迥异的龙马暗杀。寻找龙马足迹。让我理解了岛国文化中的危机意识。力荐啊!!~~。ep10的分离还是让我内牛满面。龙马&加尾。龙马,心学最好的践行者。《龙马传》观后感——除了励志还有其他~。
其实对岩崎弥太郎的戏份处理完全可以更大胆一些。历史叙述者这个设计对于现今的大河剧来讲是革命性的,但是实际叙述时编剧还是犯了上帝视角的毛病。与其老老实实讲一个大家的龙马,还不如就单讲岩崎弥太郎眼中的龙马,些许能出些新意也不一定。
十年前看到坂本龙马对美国黑船惊叹跪拜,嗤之以鼻,觉得日本人拍戏表演太浮夸,表情太塑料。今天读到湖北巡抚和湘军领袖胡林翼在江岸见英国黑船驶至,竟然昏厥仆地,忿而吐血身亡,才知道日本人原来拍的是写实电影。特记一笔。
很艰难的一段时间里,唯有这部剧,振奋了我,看待人生仿佛也多了一个角度,
初看的時候覺得板本龍馬沒有什麼厲害的, 但越看下去越佩服他!他那種主張令自己更強來防止別人找渣的世界觀, 令我獲益良多很熱血的電視劇, 看完心內好空虛....
正片,向上的力量,爱国者上下而求索,美轮美奂的装束,武士刀,和室,还有樱花和如同花一样高洁的人生。看片尾的对现代场景追忆历史片段不难理解他们拜拜jgss时的心情了